In the search of new techno producers and sounds we are? Check out what we have found, about fenomenon called DARKON SYSTEMATIC.
Darkon Systemic (Lucien (Luke) London-Wainwright) Born in North Wales, His love for music began in his early teens. Artist / djs such as Luke Mc Millan , Prodigy Apex twin and many underground and European djs influenced his addiction with electronic music. From 17 he had a growing desire to go to techno parties which soon turned from dancing to mixing.

The addiction then progressed from performing to producing music which started with hardware and programs such as Steinberg Cuebase and propellerheads rebirth .Then onwards to Ableton Live ,Fruity loops, Sonar, Acid, to name but a few.
With bookings through out the uk and overseas taking off from as early as 2003. 2008 saw the start of systemic records through to 2011 which will be seeing the release of the digital side of systemic records and new digital label criminal warfare...

To date Darkon Systemic continues to earn respect in the world techno scene as a much loved new breed performer and producer bringing fresh new take to the table through many types of techno from hard techno / schranz to down beat groove. This is a basic info you can get on their Soundcloud page.

Right now we are making a intherviev with them, as you know TECHNODROMAS party is coming, so District F. office is overfilled with good techno.

Take some time to find some time, for time to read part # 2 of this article, soon.

Deelorea Live recorded @ Technodromas #03 Mix sessions/ 11-11-07 by District Facility on Mixcloud

In the first appearance of Techno music movement event called technodromas after two weeks on 18 of this month, District F. artist Deelorea throws the third part of mix sessions, as usual, recorded live. Stay on track, there will be more of "Technodrome" before the event date.

Come and wittiness sounds of: Fr33k (District F. Technodromas) [LT] http://soundcloud.com/fr33​k http://www.mixcloud.com/fr​33k, Youlka [LT],  Protonas (Mechanism) [LT], Piurko [LT], NonSense [LT], Spray [LT] http://www.mixcloud.com/Sp​ray/ , NoSpin [LT] http://soundcloud.com/nosp​in, Mental1 (District F.) [LT].

Jeff Mills: 2087

Axis, 2011

Jeff Mills’ latest album this especially productive year is inspired by the obscure 1966 sci-fi flick Cyborg 2087. The plot is suspiciously similar to Terminator—a cyborg travels from the future to the present to assassinate a mathematician whose discoveries will enable a dystopian society repressed via mind control.

Despite Mills’ statement of intent, the music is similar to his other recent work. His distinctive palette of pure, analogue tones is always pleasant to hear, though it sometimes seems lacking in range.

“The Secret” is an ominous, drawn-out crescendo of skittery synthesizer chords. At first I thought “Human Condensing” was going to play around with phasing a la Steve Reich, but after a few tantalizing variations it falls into a simple loop for its final minute. “Programmed to Kill” makes use of primitive computer sounds. With its heavy Purpose Maker kick drum, it could even work on a dancefloor.

My favorite tracks are the most melodic. “Free Thinkers (The Dream),” for example, is beat-less and beautiful. On other tracks, only certain parts stand out. “Search for Sigmund Marx” is enjoyable for its bassline alone. The synth line on “Tracer 1” is instantly catchy, but by the time beats break apart at the end it has outlived its welcome.

By the album’s midpoint, the tracks tend to blend together. “Homing Device” uses such familiar Mills sounds, it falls into the background. With concentration, the percussion on “Operation to Free Garth” is quite distinctive, but the loop over top is a descent into madness. “Running Through Time” has hypnotic reverberation, but the overall effect is surprisingly emotionless for such an evocative title. “Dreams of Dreams,” on the other hand, perfectly captures the sensation of being half awake, and its sound is Detroit through and through. The bells on “Consequences” are perfectly shaped as only Mills can do.

Mills evidently approached this project with complete seriousness, but I think the album would benefit from a touch of camp. It’s hard to look back at sixties space fashion without cracking a smile. That said, Mills successfully builds a fantasy world with few Earthly ties. Next month he tackles Fantastic Voyage.